Les Productions d'OZ

Search
  


New Issues

Sheet Music for Guitar

Method

Solo Guitar

2 Guitars

3 Guitars

4 Guitars

5 Guitars and More

Guitar Ensemble

Guitar Orchestra

Concertos

Guitar and other instrument

Chamber Music with Guitar


Sheet Music Other Instruments

Mandolin

Bass Methods


Other Products

CDs and DVDs

Music Theory and Books


Distribution

Nouveau Théâtre Musical

Les Éditions La Mi


Our Services

Print Services

Music Typesetting


Corina Sierk′s Cover Work


Buy PDF Scores

Part Rental

Les Éditions Doberman-Yppan

Follow Us on  Facebook

Home » Sheet Music for Guitar » Solo Guitar » KUHAR, Nejc

KUHAR, Nejc




DZ 1236 KUHAR, Nejc / Sonata No. 1   

 
Quantity : 
 



 
32 p., Level 4

Mvt I
Mvt II
Mvt III


"This Slovenian composer, born 1987, has written a very "Classical" Sonata, complete with a first movement in Sonata form (even the relative sections i.e. Exposition, Development etc. are dutifully marked as such in the score).
The opening allegro moderato has a scherzando descending passage in semiquavers as its extensive first theme, leading to a rhythmic relaxation built on three recurring and unusually harmonised chords and a bridge passage marked Meno mosso on the same material. Out of this comes the introduction to theme No 2, itself quite lengthy and base on repeated pattern of notes. After a brief codetta, the development takes over, leading us back over foregoing material for the next 85 bars, before the recapitulation and a coda marked delicato, which leads swiftly to a largo final bar.
Movement 2 is an adagio, at turns lyrical and emotional with a quiet almost folk-like beginning moving to a passionate middle section before returning to calm at its close. There is constant movement throughout its 100-or-so bars with at least one voice on the go the whole time.
The third and final movement is toccata-like with multiple changes in time signature along the way. It is extremely difficult and only achievable by a really good technician as it moves continuously around every imaginable fret at great speed never letting up even for a second. A presto spurt at the end leads to a climactic finish.
This is considerable in length and in performing difficulty and is moreover written in a modern but understandable language that many advanced players will be happy to spend time getting to know better. Nicely printed."
Chris Dumigan (Classical Guitar Magazine)